11 July – 25 September 2016
Private View Wednesday 13 July, 5.30 – 7.30pm
Symposium: Objectification and Gendered Violence
10 September 2016, Room S1, Alison Richard Building
‘Object Object’ brings together objects, made and found, to reflect the everyday lives of its seven participating women artists. Working in isolation from each other, the women came together to curate the objects, in the expectation that shared concerns and experience would lead to common themes, and it is these that have informed the grouping of objects. The exhibition has been devised by Jane Hellings. Watch a video of how the exhibition was installed.
On Saturday 10 September Object Object will host a multi-disciplinary symposium; ‘Objectification and Gendered Violence’, bringing together frontline workers from Women’s Aid and Cambridge Rape Crisis, with visual artists, performers, poets, filmmakers and musicians to explore the role played by objectification, in the perpetuation of gendered violence. Tickets are available from 31 July via Eventbrite. Only 45 spaces, so book early to avoid disappointment! Download the symposium programme.
Jill Eastland‘s work is research based, usually growing from a social, political or environmental issue. She enjoys collecting things and these collections are often incorporated into her work. Jill is founder of Rebel Arts, presents on Rebel Arts Women’s Radio and organises Eastern Bloco Arts Area at Strawberry Fair.
Jane Hellings often works collaboratively, sometimes with Up t’Arts women artist’s collective and also with Rebel Arts, on acts of creative resistance. From her studio at home, she uses low-tech processes and everyday materials to make work about daily life. She has a first class honours degree in textiles from Bretton Hall, Leeds University and an MA in Print from Cambridge School of Art.
Susie Johnson graduated from Cambridge School of Art with a first class honours degree in fine art. From her studio at Cambridge Artworks she creates clever, quirky work in which she explores the taxonomy of shape, the mathematical treatment of movement and the tension between nomothetic and idiographic views of the world.
Alison O’Neill has a BA in Fine Art from Falmouth College of Art and an MA in Feminist Theory from Leeds University, where she studied with Griselda Pollock. Her concerns are class, gender and motherhood and her work incorporates drawing, installation and video.
Eirini Kartsaki is teaching fellow at Queen Mary University of London. Eirini writes and devises performances which she shows nationally and internationally and is currently working on a book entitled Repetition in Performance: Returns and Invisible Forces. She also makes things, primarily, but not exclusively, as performance props.
Jane Waterhouse graduated from Cambridge School of Art with a first class honours degree in fine art, she then added to this, a distinction in MA Print. Jane combines traditional techniques with her own innovative processes to make exquisite prints. Her subject matter; daily soundings, wayfaring, belonging, tokens, imbue her work with a poetic quality.
Rachel Wooller is interested in the power of materiality. She likes to juxtapose materials to create visual metaphors, which explore the structures we are bound by. She is drawn to issues of power, yearning and the intangible.